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Deul Band Marathi Movie

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In the case of many human beings, we observe that ‘faith’ promises them of things they expect and influences their minds, about the existence of a divine power they are unable to see. No wonder, majority of the people all over the world, belonging to different religions, believe in the existence of God.

Latest released Marathi film‘Deool Band’produced by Jayashree Kailas Wani, Juili Kailas Wani and directed by Pravin Vitthal Tarde & Pranit Kulkarni takes up this perceptive issue, which has a lot to correlate with people, having faith in the existence of God.

The film opens with the arrival of a young and famous scientist Raghava Shastri (Gashmeer Mahajani) to India, to help ISRO authorities, in developing a method, to alert the defence authorities quickly, about the entry of terrorist groups into Indian territory. His visit is monitored by PMO and hence fearing attack on him, he is shifted to Pune , instead of Mumbai . So, Raghav Shastri and his family comprising of wife (Girija Joshi) and little daughter Sana(Arya Ghare) are made comfortable in a duplex flat in a Pune society; by RAW officer Narayani( Shweta Shinde) , who is in charge of his security.

Raghava Shastri has been provided a separate room for his study and experiment; but, he is often disturbed by the regular chanting of prayers by the residents of the society, at the small temple of Shree Swami Samarth . So, he takes up the issue with society chairman, who agrees to stop the noise. But, the adamant society people and in particular an auto rickshaw driver( Pravin Tarde), who is a devotee of Swami, opens up fight with Raghava Shastri. This hurts the ego of scientist and he brings pressure from the top, to seal the temple.

Later, the scientist faces many strange happenings. But, the metaphor of Swami Samartha (Mohan Joshi) stands by his side, to make him realize , the existence of God. Raghava Shastri, who is shown as an atheist, has his own story, during his teenage, for developing hatred towards his mother and such Swamis, due to some misunderstanding, over his father’s accidental death. The happenings that take place in the post interval session, remove his misunderstandings, as he finds solution to the problems faced by him , in his latest presentation.

‘Deool Band’ is almost a three hour long film. But, its clever presentation through exciting screenplay, helps to keep the audience engaged all the time. The entry of Swami’s metaphor has been timed well, to generate curiosity, just at the stroke of interval. In the entire post interval session, it is Mohan Joshi, who steals the show. With his gigantic personality, supported by some prosthetic make up, he appeals to the audience, with utterance of meaningful dialogues and body language. In the role of Raghava Shastri , young talented Gashmir Mahajani is highly impressive. Besides his spontaneous reaction, he has a very good voice, which he has skilfully used, with proper diction, at different situations.

Girija Joshi, who has played the role of his wife, also seemed to be a perfect selection. She has looked nice in modern outfits, well suited to NRI’s. She has limited scope for acting, but, whatever to her share, she has displayed her potential. Nivedita Saraf surprises with her notable appearance in this film. With the kind of role she has played in this film, she is sure to find lots of offers, for such roles. Sharvari Jemnis, also gives a surprise, with the kind of character played by her. She has played her part, very realistically. Shweta Shinde, doesn’t have to do much, besides looking a smart RAW officer. Dr.Mohan Agashe and Sunil Abhyankar do well in the roles of ISRO scientists. In the role of ATS chief of Maharashtra , Hrishikesh Deshpande entertains more, with his style,
expressions and humour filled dialogues.

There are many popular artistes in guest appearance in this film, especially, in the post interval session. They are, Ravindra Mahajani, Sunil Barve, Vibhavari Deshpande, Sushant Shelar, Prasad Oak, Sandeep Pathak, Pramod Pawar and Mahesh Waman Manjrekar . and all of them have made their presence felt.

Narendra Bhide and Rohit Nagbhide have done well better in background music than for
the two songs, which give a customary feel. Mahesh Barate’s make up, Sonia Sahasrabudhe’s costumes and Prashant Misale’s cinematography, clever art work by Siddharth Tatuskar and above all, the screenplay and direction of Pravin Vithal Tarde & Pranit Kulkarni makes this film, technically more appealing. The tributes paid by the film makers to the brave officers of Maharashtra Police, while fighting the deadly terrorist attack in Mumbai, is to be highly appreciated. Last but not the least, Maharashtra being the land of well known Saints, with majority of the people having faith in their teachings; this film is sure to invite their attention.

I could watch Deool just the play of light and shade in each of its frame. And this is even more amazing considering the film is set in a village where many a time there's no electrical power and the only source of light is an oil lamp or sometimes just the stars and the moon. Even if I didn't realize how beautiful it is shot, I could watch it just for the village simpletons. Their faces and bodies so expressive, these are true actors each one of them, as if there was no camera in front of them, and I was just observing people from a village where my grandparents live. And yet, Deool has so, so much to offer. So what if it is a little less metaphorical than director, Umesh Kulkarni's earlier venture and so what if it had a couple of avoidable 'commercial' elements? I enjoyed the ride that Deool took me on.

Deool is about the transformation of Mangrul, a village in the remotest interiors of Maharashtra. It is a satirical journey of Mangrul's belief in religion and the blind faith that accompanies it. And Mangrul is only a representation of the common population, us.

Deool argues about the definition of development in a village that is so behind that basic necessities like water and electricity are missing in action. Is it so bad then if the village gets these simple needs by using blind faith as a stepping stone? Though I'm not sure Deool stays non-judgmental it sure does a good job of presenting both sides.

Deool talks about capitalism and business in religion; it showcases the strength of women and at the same time the hypocrisy of the political system all in one breath.

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And all of this is narrated fluidly. The sedentary village and its laid-back residents go from one event to another and before you realize that you know the characters and their quirks, their intentions and motivations. This is as much a result of the immaculate dialogue-writing as it is the way/dialect in which it's delivered. And this is even though I watched a non-subtitled version. I surely must've missed out on a few punch lines.

The actors take entertainment to the next level. Even the exaggerated tones seem acceptable because they make you laugh so hard. There were at least a couple of scenes where my mouth was wide open because of the ridiculous way in which things were unfolding - because I knew this could so happen in my village too. There were a few other scenes which created beautiful and/or insightful moments. I especially enjoyed the exchanges between Nana Patekar and Dilip Prabhavalkar.

Mentioning just these two names is a huge disservice to the rest of the cast, but the list is so long and every villager that comes on screen leaves an impression. Let me also quickly add that there were a couple of scenes where Nana Patekar overdid it. But, that hardly took away from the film.

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That doesn't mean that there were no eliminable elements at all because at 2.5 hours, Deool is a little too long. Also a tad disappointing is the introduction of 'commercial' elements in an Umesh Kulkarni film. Is Umesh succumbing? Because it is not only about an item number and a cameo by a 'bigger' Hindi actor. Those we can, this once, grant benefit of doubt to, under the cloak of 'the need of the script'. But, he also seems to have gone that extra mile to explain the metaphors and not left it to his usual subtle style.

But hey, I don't mind a little commerce with my art. Deool in many ways is Valu - Part 2. It carries the same tone and texture AND it leaves a tiny 'not as good as' the first part feel. Yet, it is a wholesome and entertaining experience.

- meeta, a part of the audience